ECLIPSE
There is more music in the world than one person could listen to in a lifetime. Sometimes, we don’t see the forest for the trees, which means that a lot of fantastic music slips under our radar, music that begs questions like “Why have we never heard this before?” and “What other treasures are waiting to be discovered?” In a three part series of albums, called Eclipse, Mattias Spee goes on a “musical treasure hunt” and sheds light on the hidden gems of the piano repertoire.
Eclipse
Vol. 1: Joseph Wölfl
Vol. 1: Joseph Wölfl
------------
Super-Audio CD
------------
Hi-Res Download
------------
Spotify
------------
Apple Music
------------
Eclipse
Vol. 2: Hans Henkemans
Vol. 2: Hans Henkemans
------------
Super-Audio CD
------------
Hi-Res Download
------------
Spotify
------------
Apple Music
------------
Eclipse
Vol. 3: Sergei Protopopov
![]()
------------
Super-Audio CD
------------
Hi-Res Download
------------
Spotify
------------
Apple Music
------------
Vol. 3: Sergei Protopopov
------------
Super-Audio CD
------------
Hi-Res Download
------------
Spotify
------------
Apple Music
------------
VOL. 1: JOSEPH WÖLFL
The first entry in the Eclipse series was dedicated to Austrian pianist and composer Joseph Wölfl. Just like Nicolo Paganini and Sergei Rachmaninov, Wölfl suffered from the Marfan syndrome, which meant his limbs never stopped growing. This allowed him to play bigger chords than most people and set him apart as a virtuoso concert pianist and prolific improviser. Wölfl spent most of his adult life touring throughout Europe and was one of the most celebrated musicians of his generation. In 1799, he had an improvisation duel with Ludwig van Beethoven, who usually dominated his competitors. But Wölfl could not only keep pace, some attendees even preferred Wölfl’s clean playing style with over the scruffy and unpolished Beethoven. Much of his work has never been recorded and this release by Mattias Spee includes some recording premieres as well.
Around the time of the release of this album, in the spring of 2021, the Covid-19 pandemic was still in full swing. The pandemic had allowed Spee to move to Salzburg for several months, where he enrolled at the Mozarteum University of the Arts, studied Wölfl’s repertoire extensively, wrote his Master’s thesis on late 18th century improvisation practice, prepared for the recording and visited Wölfl’s place of birth. Unfortunately, the lockdowns also meant that a presentation concert was out of the question. Though, Spee was invited on the release day of the album to present the album at NTR Podium on NPO Klassiek, hosted by Dieuwertje Blok.
Around the time of the release of this album, in the spring of 2021, the Covid-19 pandemic was still in full swing. The pandemic had allowed Spee to move to Salzburg for several months, where he enrolled at the Mozarteum University of the Arts, studied Wölfl’s repertoire extensively, wrote his Master’s thesis on late 18th century improvisation practice, prepared for the recording and visited Wölfl’s place of birth. Unfortunately, the lockdowns also meant that a presentation concert was out of the question. Though, Spee was invited on the release day of the album to present the album at NTR Podium on NPO Klassiek, hosted by Dieuwertje Blok.
Album presentation on NPO Klassiek
Photo Credits: NTR Podium (2021)
VOL. 2: HANS HENKEMANS
The second entry in the Eclipse series is all about Dutch pianist and composer Hans Henkemans. He was one of the most succesful musicians of his generation. His works were regularly performed at the Concertgebouw in Amsterdam and as a pianist he traveled the world to perform both his own music and compositions by Wolfgang Amadeus Mozart and Claude Debussy, which were his specialties. Due to health issues and fierce resistance from the young avant-garde movement, Henkemans’s career came to an abrupt end in the 1960s and his music fell into oblivion.
In 2021, the Hans Henkemans Foundation was founded in order to rightfully restore Henkemans’s legacy. Conductor Ed Spanjaard, a close friend, dug up the unpublished manuscripts he inherited from Henkemans, several of which were performed and recorded by Mattias Spee for the first time ever. The album was released in May of 2023 and celebrated with an album presentation in a sold out Amstelkerk. The concert, which included a guest appearance by Spanjaard, was broadcast on NPO Klassiek.
Album presentation at the Amstelkerk
VOL. 3: SERGEI PROTOPOPOV
The third and final installment of the Eclipse series presents works by Russian pianist and composer Sergei Protopopov. He was one of the most promising composers of his generation, but his career was cut short by the cultural censoring of the Stalin regime. Due to his homosexuality, Protopopov was an easy target. In 1933, he was apprehended by the secret police and sent to a Siberian gulag. His music was swept under the rug and barely performed, until Mattias Spee rediscovered it and made this recording.
The album was released in January of 2025 and celebrated with an album presentation at De Duif, which was broadcast on NPO Klassiek. This historic venue houses the grand piano of the lateYouri Egorov, a legendary Russian pianist whose life’s story mirrors Protopopov’s in many ways. Jan Brokken, a dear friend of Egorov’s and author of his biography In het huis van de dichter, attended the concert, received the first copy of the album and subsequently spoke the following words:
“This young virtuoso, Mattias Spee, is an adventurer who searches for hidden music and forbidden repertoire and introduces us in a breathtaking manner to work that we didn’t know yet. [...] Mattias Spee, you are on a mission and I would like to ask the audience for an overwhelming applause for this mission. Thank you, Mattias.”
Album presentation at De Duif
The album was released in January of 2025 and celebrated with an album presentation at De Duif, which was broadcast on NPO Klassiek. This historic venue houses the grand piano of the lateYouri Egorov, a legendary Russian pianist whose life’s story mirrors Protopopov’s in many ways. Jan Brokken, a dear friend of Egorov’s and author of his biography In het huis van de dichter, attended the concert, received the first copy of the album and subsequently spoke the following words:
“This young virtuoso, Mattias Spee, is an adventurer who searches for hidden music and forbidden repertoire and introduces us in a breathtaking manner to work that we didn’t know yet. [...] Mattias Spee, you are on a mission and I would like to ask the audience for an overwhelming applause for this mission. Thank you, Mattias.”
Album presentation at De Duif
Photo Credits: Thomas van Driel (2025)
The Eclipse series was realised with generous contributions from several sponsors. An insurmountable level of gratitude goes out to the Sena Muziekproductiefonds, Stichting Hans Henkemans, Stichting Amarte, Van den Berch Van Heemstede Stichting, Jacques Vonk Fonds, Cultuurfonds, Philzuid, VoorDeKunst, Stichting A.F.V.O.M.S. and many private sponsors, including:
Anna van der Kooij & Hans Bos, Kees van der Burg, Loes Mol, Celine Schweizer, Joslène Roijackers & Willem Smit, Monique & Rob Verschoor, Odilia Ubbens, Harm Udding, Marjolein de Moor, Meriam Smit-Loos, Kitty Willemsen & Fokke Munk, Jennie Schotman, Daan Kloosterhuis, Eugenie van Dijk & Frank Brakkee, Rixt Zijlstra, Hugo van Beusekom, Marja & Tjaart Hofman, Clara Spee & Marlon Hart, Ruth Oudraad, Aki & Dennis de Lang, Wient Mulder, Reinier Schrader & Annemiek Nelis, Marcel van Dijk, Cecile & Simon Pool-Swinkels, Richel Bernsen, Nanny Roed Lauridsen, Marlene Victoria-Hilhorst, Sophia van der Hooft, Heleen Wüst & Bart van Rosmalen, Anne de Wijs-Vink, Cristian Santibañez, Albert Clement, Agnes de Ruijter, Willem Boogman, Jeroen Disch, Monique van der Linden, Kübra Colak, Renée Simons, Aad Spee, Jos Nieland, Wes Boldewijn, Fons Duyndam, Mart Blom, Bianca & Gino Hanenberg, Amal van Caem, Martijn de Ruijter & Jacobien Gerbrandij, Tinka Regter, Henk de Regt, Sandra Oude Avenhuis, Karina Meeuwse, Apollon Kalamenios, Catharina Clement, Ellen Spons, Lammie Bruin, Annette van der Burg, Bob Stapel, Loes Mol, Vincent van Amsterdam, Julia Spee, Helmi & Willem Wout Maton, Willy Nelis, Marcel Mock, Jolande Schoonenberg, Raymond Young, Eric Moormann, Kasper Schonewille, Roos van der Burg, Anya & Johan Marinissen, Arjan Linker, Marcel van Dijk, Jeppe Moulijn, Marina, Stephen van der Waals, Tsjerk van Doornik, Erik Boom, Birgit Gerritse, Arnold & Leonora Spee, Esther Deerenberg & Rob de Lange, Akkelien Zuiderhof, Marijn van Sandick & Nico Penners, Enno & Martijn Strating, Emma Roijackers, Frits Zwart & Marja Molewijk, Wim Amir, Donald van der Peet, Titus Tielens, Bert Bollebakker
Anna van der Kooij & Hans Bos, Kees van der Burg, Loes Mol, Celine Schweizer, Joslène Roijackers & Willem Smit, Monique & Rob Verschoor, Odilia Ubbens, Harm Udding, Marjolein de Moor, Meriam Smit-Loos, Kitty Willemsen & Fokke Munk, Jennie Schotman, Daan Kloosterhuis, Eugenie van Dijk & Frank Brakkee, Rixt Zijlstra, Hugo van Beusekom, Marja & Tjaart Hofman, Clara Spee & Marlon Hart, Ruth Oudraad, Aki & Dennis de Lang, Wient Mulder, Reinier Schrader & Annemiek Nelis, Marcel van Dijk, Cecile & Simon Pool-Swinkels, Richel Bernsen, Nanny Roed Lauridsen, Marlene Victoria-Hilhorst, Sophia van der Hooft, Heleen Wüst & Bart van Rosmalen, Anne de Wijs-Vink, Cristian Santibañez, Albert Clement, Agnes de Ruijter, Willem Boogman, Jeroen Disch, Monique van der Linden, Kübra Colak, Renée Simons, Aad Spee, Jos Nieland, Wes Boldewijn, Fons Duyndam, Mart Blom, Bianca & Gino Hanenberg, Amal van Caem, Martijn de Ruijter & Jacobien Gerbrandij, Tinka Regter, Henk de Regt, Sandra Oude Avenhuis, Karina Meeuwse, Apollon Kalamenios, Catharina Clement, Ellen Spons, Lammie Bruin, Annette van der Burg, Bob Stapel, Loes Mol, Vincent van Amsterdam, Julia Spee, Helmi & Willem Wout Maton, Willy Nelis, Marcel Mock, Jolande Schoonenberg, Raymond Young, Eric Moormann, Kasper Schonewille, Roos van der Burg, Anya & Johan Marinissen, Arjan Linker, Marcel van Dijk, Jeppe Moulijn, Marina, Stephen van der Waals, Tsjerk van Doornik, Erik Boom, Birgit Gerritse, Arnold & Leonora Spee, Esther Deerenberg & Rob de Lange, Akkelien Zuiderhof, Marijn van Sandick & Nico Penners, Enno & Martijn Strating, Emma Roijackers, Frits Zwart & Marja Molewijk, Wim Amir, Donald van der Peet, Titus Tielens, Bert Bollebakker
“Imaginative music with a sometimes picturesque quality, inhabited by capricious characters who sneak across the staves. [...] Spee emerges as an Edgar Allen Poe-like storyteller with a lot of feel for emotional undercurrents.”
-NRC
"[Mattias Spee] gives highly powerful and convincing performances of these very demanding sonatas, and gentle and expressive ones of the shorter works, including his own."
-Music Web International
"Spee's been described as having a “velvet touch,” and certainly there's ample evidence on hand to support it, and Protopopov is fortunate to have him as his spokesperson when the pianist's playing is articulate, eloquent, and wholly sympathetic to the composer's vision and sensibility."
-Textura
"Masterfuol performance - These words apply first and foremost to Mattias Spee's tremendous artistic achievement, for that is certainly not amiss where these albums are concerned. The music is extremely well-presented, is alternately energetic and delicate, resilient and graceful, expressively deeply layered, and enveloped in a rich palette of light and shadow within a ravishing texture, with, in addition - the one flowing from the other - a highly developed sense of form and content."
-Opus Klassiek
------------
-NRC
"[Mattias Spee] gives highly powerful and convincing performances of these very demanding sonatas, and gentle and expressive ones of the shorter works, including his own."
-Music Web International
"Spee's been described as having a “velvet touch,” and certainly there's ample evidence on hand to support it, and Protopopov is fortunate to have him as his spokesperson when the pianist's playing is articulate, eloquent, and wholly sympathetic to the composer's vision and sensibility."
-Textura
"Masterfuol performance - These words apply first and foremost to Mattias Spee's tremendous artistic achievement, for that is certainly not amiss where these albums are concerned. The music is extremely well-presented, is alternately energetic and delicate, resilient and graceful, expressively deeply layered, and enveloped in a rich palette of light and shadow within a ravishing texture, with, in addition - the one flowing from the other - a highly developed sense of form and content."
-Opus Klassiek
------------
TOETSENPARADE
The Toetsenparade (Keyboard Parade) is a festival for the keyboard instruments of all shapes and sizes. For the edition that took place in the weekend of 22/23/24 March of 2024, Mattias Spee was invited as artist in residence. As such, he curated a program full of artists who are each inventing and reinventing keyboard instruments in their own way.
The festival opener was the Rembrandt Frerichs Trio, an ensemble which comes from the jazz scene and now applies their vocabulary on historiscal instruments. Guy Maori played 19th and 20th century music on the anachronistic harpsichord. The Xavi Torres Trio presented the project Kind of Beethoven, in which they reinvent Beethoven sonatas in a modern style with lots of jazz-influences. Xico Ribas Tur played original compositions, using live electronics to enrich the sound of the piano. Arieh Chrem a.k.a. Cartopol released his new EP Storm Service at the Toetsenparade. Arieh is an electronic music producer and uses a very modern keyboard instrument, the keyboard of his laptop. However, there was an even more novel instrument at the festival. Marije Baalman of the Instrument Inventors Initiative presented her newly designed Twiddler, which she uses for high-speed live coding. Marije and Toetsenparade founder Jan van der Sangen together gave a lecture on instrument building, a process to which each has their own wildly different approach. Of course, artist in residence Mattias Spee performed himself, as well as leading a workshop with renowned piano tuner Charles Rademaker. Together with the audience, they dove into the mechanics of the piano and demonstrated how a pianist and piano tuner collaborate. It was a highly varied an innovative festival program at the Toetsenparade, hosted by Het Veem in Amsterdam.
Toetsenparade 2024
------------
LORIA
After having mainly composed for solo piano, Mattias Spee started branching out and wrote a piece for a larger ensemble consisting of piano and strings. In his new composition Loria, Mattias looks for the boundary between egalitarian chamber music and a hierarchical division between soloist and accompaniment. For the premiere, which took place on the 19th of November 2023, Mattias collaborated with the Nova Sonantia Ensemble, a collective of string players who are ambassadors of new music.
Premiere of Loria
------------
INTO SILENCE
Composer Jo Sporck celebrated his 70th birthday by writing a new piano concerto on a commission from festival November Music. The premiere of this piece entitled Into Silence took place on November 8th of 2023 at the Grote Kerk in Den Bosch. Mattias Spee was the soloist, accompanied by Phil Zuid and condcutor Ed Spanjaard. The concert, which was broadcast live on NPO Klassiek, was crowned “the highpoint of festival November Music” by NRC in their 5-star review.
Premiere of Into Silence at November Music 2023
------------
INSOMNIA
During the 2023/2024 season, Mattias Spee toured all major concert venues in The Netherlands as part of his nomination for the Dutch Classical Talent Award. The main component of the tour program was a selection of his own compositions, combined in a 9-part cycle entitled Insomnia. Mattias paired his own music and poetry with several nocturnes, some written by famous composers like Frederic Chopin, Alexander Scriabin and Francis Poulenc, others newly commissioned from young talented composers Gijs Idema and Lisa Weyrauther. Both Gijs and Lisa are bridging the gap between jazz and classical music, something they have in common with Mattias, which is why their collaboration was so fruitful. The last concert of the tour took place on 19 October 2023 in TivoliVredenburg and was broadcast by the Concertzender.
Insomnia at TivoliVredenburg
“A wilful and versatile musician, who also improvises and composes. In his playing, his air and his choice of repertoire, you can see his activist and rebellious nature. He doesn’t let anyone tell him what to do and totally sets his own course.”
-Jury of the Dutch Classical Talent Award
------------
SONG DUO
Mattias Spee is not the only musician who has a knack for music by composers who don’t get the credit they deserve. He has teamed up with countertenor Arturo den Hartog and together they perform songs by composers who are unlikely to be heard anywhere else. Their selection of repertoire includes songs by female and/or black composers, music from Arturo’s home country Suriname and African-American spirituals. As a duo, Mattias and Arturo have played at prestigious events, such as the O.Festival in Rotterdam, National Composers Day at the New Music NOW Express, as well as celebrations of national holidays at the Muziekgebouw aan ‘t IJ, like Keti Koti and National Liberation Day.
Arturo den Hartog & Mattias Spee
------------
MUSEUMNACHT 2023
For the 2023 edition of the Museumnacht (Museum Night), a yearly event during which all museum in Amsterdam open their doors until 2.00 AM, Mattias Spee was asked to curate the program for the Pianola Museum. This small museum for self-playing instruments was very familiar to Mattias. During his time at the Conservatory of Amsterdam, it was a stone’s throw away from his house in the Jordaan and as a member of the Piano Student Council, Mattias helped save the Pianola Museum from bankruptcy by organising student excursions to the museum and spreading a petition which ultimately led to the municipality keeping the museum open.
For the Museumnacht 2023, Mattias curated a program centered around the pianist/composer. For the longest time it was only natural to both play and compose music for an instrument. However, in the past few decades, note-writers and note-players have been specializing more and more in their specific fields. Now there is a new surge of pianist/composers knocking on the doors of the Dutch music scene. Apollon Kalamenios, Elena Pisano and Aleksandra Tonelli joined Mattias Spee for a relay-concert that lasted all night. They each paired their own music with a pianola roll of a pianist/composer that has inspired them. Showcases of the museum’s self-playing pianos included performances by Béla Bartok, Roberto Firpo, Claude Debussy and Duke Ellinton. The old and the new, united in an evening chock-full of music.
Musemnacht 2023 at the Pianola Museum
------------
SHADES OF LIFE
Mattias Spee worked together with composer Titus Tielens on an album of new piano compositions entitled Shades of Life. The recordings took place in the Protestant Church of Uitwijk. During the day, there is a lot of noise from the farmers working on the land, but after nightfall it’s dead silent. The intimacy of the nightly collaboration of Mattias and Titus with recording engineer Erik de Goederen comes across on the resulting album. Mattias was afforded the freedom to improvise on the material, which made every take a little different. Titus established his own record label Kinyobi Music in order to release Shades of Life. The album release took place on the 6th of November 2022 at BIJ ANDREAS in Naarden.
Shades of Life
![]()
------------
CD
------------
Spotify
------------
Apple Music
------------
JioSaavn
------------
CD
------------
Spotify
------------
Apple Music
------------
JioSaavn
------------
“Solid, accessible music, which sounds good mainly due to the magnificent playing of the young pianist Mattias Spee.”
-Nederlands Dagblad
------------
RIVER
Mattias Spee usually composes by himself, but his collaboration with Bea Álvarez Borque, who specialises in live electronics, is a notable exception. Together they made the piece River, which illustrates the journey of a river from glacier to ocean. For this project, Mattias and Bea used their respective acoustic instruments, piano and viola, as well as several electronic elements, such as synthesizers, samplers and live effects. After a 5-day residentie at Akoesticum Ede in October of 2022, organised by Windows of Opportunity, they premiered this piece at the Muziekhuis Utrecht.
Premiere of River at Muziekhuis Utrecht
------------
TIJDCAPSULES
What links us to our past and our future? That question was central to the project entitled Tijdcapsules (Time Capsules), which premiered at the Grachtenfestival 2022. A team consisting of Arjan Linker on trombone, Mattias Spee on piano and synthesizer, Benjamin de Boer on double bass, Gijs Idema on guitar and Dimitri Geelhoed on electronics set out to answer this question. In the resulting show they combined elements from Indian raga, Georgian folk music, Renaissance polyphony and pop music from bands like Radiohead into a dream-like hour of music, supported by live visual effects from Lisa Derksen Castillo a.k.a. Sea the Sound.
By combining music from different places on earth and different moments in history, on the one hand it becomes apparent how fast the world changes, while on the other hand it will always stay the same. This group of musicians has something specific in common: besides composers and performers, they are all avid improvisers. That’s a big part of why this team was selected for this project. Improvisation is the closest we can get to actually capturing a point in time that is truly unique, because by its very nature we can’t hold on to it.
Tijdcapsules at Grachtenfestival 2022
------------
DANSEN MET DE DOOD
In collaboration with writer/director Tabula Raas and voice actor Céline Vermeulen, Mattias Spee made a radio play entitled Dansen met de Dood (Dancing with Death). This musical piece of theatre -or this theatrical piece of music- was inspired by William Shakespeare’s tragedy Macbeth and deals with the temptation of suicide and being released from suffering.
Dansen met de Dood
Sound Credits: Wim Selles (2022)
------------
GOUDSBLOEM TRIO
From 2016 to 2020, Mattias Spee formed an ensemble with clarinetist Ana Prazeres and cellist Hadewych van Gent. The three met as fellow students of the Conservatory of Amsterdam and proceeded to play together during some of the most formative years of their young careers. They named their ensemble after their rehearsal space, which was Mattias’s home in the student housing facility at the Goudsbloemstraat in Amsterdam.
After playing the “standard repertoire”, consisting of pieces by composers like Johannes Brahms and Gabriel Fauré, the trio explored some lesser-known music for this particular combination of instruments. Examples of this are the Fantasy Trio by American composer Robert Muczynski and the Clarinet Trio by Nino Rota, who was a prolific film composer, but unbeknownst to many, has written a lot of wonderful stand-alone music as well. After some succesful years as an ensemble, the Goudsbloem Trio stopped playing together when each of the members started to have more and more other engagements, but they remain close friends to this day.
Goudsbloem Trio
